Cassette culture
At the NPR site, read the introduction to Sonic Youth guitarist/singer Thurston Moore's new book "Mix Tape: The Art of Cassette Culture":
...I made what I thought was the most killer hardcore tape ever. I wrote 'H' on one side, and 'C' on the other. That night, while we were in bed, and after Kim had fallen asleep, I put the cassette on our stereo cassette player, dragged one of the little speakers over to the bed, and listened to the tape at ultra-low thrash volume. I was in a state of humming bliss. This music had every cell and fiber in my body on heavy sizzle mode. It was sweet.
...I made what I thought was the most killer hardcore tape ever. I wrote 'H' on one side, and 'C' on the other. That night, while we were in bed, and after Kim had fallen asleep, I put the cassette on our stereo cassette player, dragged one of the little speakers over to the bed, and listened to the tape at ultra-low thrash volume. I was in a state of humming bliss. This music had every cell and fiber in my body on heavy sizzle mode. It was sweet.
"Firefly" returns to the air this summer
Reruns of Joss Whedon's sci-fi series will air on the Sci Fi Channel starting in July in anticipation of Whedon's big screen "Serenity" film, which is based on the show. "Firefly" is available on DVD too.
Listening to the golden age of comics
The Golden Age of Comic Books, maintained by William Jourdain (who also created the wonderful Golden Age of Batman site), now features podcasts in its blog section.
The second offering features a history of Golden Age Batman artist (and creator of the Joker) Jerry Robinson and an interview with former Marvel Comics scribe/editor Roy Thomas.
The second offering features a history of Golden Age Batman artist (and creator of the Joker) Jerry Robinson and an interview with former Marvel Comics scribe/editor Roy Thomas.
"Civilian" has 10 questions about comic books
Jennifer Brummett, staff writer for the Advocate Messenger in Danville, Ky., wrote a column listing stuff that befuddles her about comic books.
Here's her top 10 with my attempts to answer:
1. Why do the bios give the height and weight of the heroes and heroines, as well as, in most cases, hair and eye color? For Halloween costume production? Filmmaking purposes?
Um, cuz fans like to think of these characters as real. Ridiculous amounts of detail goes toward that purpose, as does an insane obsession with "continuity." Comic books, particularly those focusing on superheroes, are set in self-contained fictional worlds, which fans insist must function according to their own internal logic. If a writer contradicts something that happened in a comic way back in 1972, no doubt some fan will get uptight and post some nasty comment about it on his blog. Unless whatever happened back then was negated by the Crisis on Infinite Earths, of course.
2. Why are most of the "cats," whether at DC or Marvel, women?
Because who wants to see a guy in a skin-tight catsuit? Come on!
3. Why hasn't there been a major motion picture done on Dr. Strange? I mean, yeah, there was the 1978 television flick called "Dr. Strange." How many people saw that?
A Doctor Strange movie...cool...
4. Why does the Wonder Woman movie I've been hearing about for the last 10 years or so keep getting stalled? Now, Joss Whedon is attached to direct such a flick. We'll see how long that lasts. Where's the love for the ladies in the limelight? ("Elektra," mind you, was a spin-off of "Daredevil.")
Because it's taken 20 years for the nostaligia factor to kick in. The Lynda Carter TV series, which was ridiculous and silly back in the 70s is now campy and cool. Comic book films don't get made by or at the behest of comic book fans, they get made by folks in Hollywood after the marketing department says its ok to go ahead. The Wonder Woman film isn't being made so much because she's a comic book character (although that helps a lot in the post "Spider-Man" movie climate), but because she was a TV character. Many more people are familiar with her in that context. We're getting a "Dukes of Hazzard" movie, a "Bewitched" movie, etc. So it was only matter of time before they got to her.
5. Why would a creator name a comic book character Umbra? Or Element Lad? Holly Go-Nightly? Abomination? Kang? Soldier X? Thunderbolt Ross? How do they come up with these, ummm, unusual names?
Drugs? Desperation? Dreaded Deadline Doom?
6. Horror movies have crossed the Pacific, as has anime. Could manga be next?
Manga is already kicking the American comics industry's ass in in sales. Go to Barnes and Noble and look at how many manga books are stocked compared to superhero reprints. Kids are loving the manga.
7. Comic Book Legal Defense Fund? Huh?
Comic books have a long history of being singled out as targets for prudes, censors and other types of Republicans. Check out the history of the 1950s juvenille delinquency hearings, the comics code, etc. The CBLD is an effort to give creators and comic book shops some legal protection should they come under attack.
8. Who makes the time for something like this - http://www.uky.edu/Projects/Chemcomics/? Oh. My.
That...is...so...cool! I'm gonna add a link to to that on my Web site.
9. Do superheroes and superheroines sweat? Hey, there's a whole lotta skin-tight hero-wear going on in the comic books. Is it comfortable?
It's all about unstable molecules, baby.
10. I keep reading about a film featuring Batman versus Superman - like, for years and years I've been reading this. Why is this interesting? I mean, Batman doesn't have any super powers, per se - just cool equipment, an extensive knowledge of the martial arts, and know-how about detective processes. Superman, coming from another planet, does have superpowers - flying, super-strength, enormous speed. Wouldn't he whip Batman's butt?
Brains trump brawn every time. Brains and kryptonite.
Here's her top 10 with my attempts to answer:
1. Why do the bios give the height and weight of the heroes and heroines, as well as, in most cases, hair and eye color? For Halloween costume production? Filmmaking purposes?
Um, cuz fans like to think of these characters as real. Ridiculous amounts of detail goes toward that purpose, as does an insane obsession with "continuity." Comic books, particularly those focusing on superheroes, are set in self-contained fictional worlds, which fans insist must function according to their own internal logic. If a writer contradicts something that happened in a comic way back in 1972, no doubt some fan will get uptight and post some nasty comment about it on his blog. Unless whatever happened back then was negated by the Crisis on Infinite Earths, of course.
2. Why are most of the "cats," whether at DC or Marvel, women?
Because who wants to see a guy in a skin-tight catsuit? Come on!
3. Why hasn't there been a major motion picture done on Dr. Strange? I mean, yeah, there was the 1978 television flick called "Dr. Strange." How many people saw that?
A Doctor Strange movie...cool...
4. Why does the Wonder Woman movie I've been hearing about for the last 10 years or so keep getting stalled? Now, Joss Whedon is attached to direct such a flick. We'll see how long that lasts. Where's the love for the ladies in the limelight? ("Elektra," mind you, was a spin-off of "Daredevil.")
Because it's taken 20 years for the nostaligia factor to kick in. The Lynda Carter TV series, which was ridiculous and silly back in the 70s is now campy and cool. Comic book films don't get made by or at the behest of comic book fans, they get made by folks in Hollywood after the marketing department says its ok to go ahead. The Wonder Woman film isn't being made so much because she's a comic book character (although that helps a lot in the post "Spider-Man" movie climate), but because she was a TV character. Many more people are familiar with her in that context. We're getting a "Dukes of Hazzard" movie, a "Bewitched" movie, etc. So it was only matter of time before they got to her.
5. Why would a creator name a comic book character Umbra? Or Element Lad? Holly Go-Nightly? Abomination? Kang? Soldier X? Thunderbolt Ross? How do they come up with these, ummm, unusual names?
Drugs? Desperation? Dreaded Deadline Doom?
6. Horror movies have crossed the Pacific, as has anime. Could manga be next?
Manga is already kicking the American comics industry's ass in in sales. Go to Barnes and Noble and look at how many manga books are stocked compared to superhero reprints. Kids are loving the manga.
7. Comic Book Legal Defense Fund? Huh?
Comic books have a long history of being singled out as targets for prudes, censors and other types of Republicans. Check out the history of the 1950s juvenille delinquency hearings, the comics code, etc. The CBLD is an effort to give creators and comic book shops some legal protection should they come under attack.
8. Who makes the time for something like this - http://www.uky.edu/Projects/Chemcomics/? Oh. My.
That...is...so...cool! I'm gonna add a link to to that on my Web site.
9. Do superheroes and superheroines sweat? Hey, there's a whole lotta skin-tight hero-wear going on in the comic books. Is it comfortable?
It's all about unstable molecules, baby.
10. I keep reading about a film featuring Batman versus Superman - like, for years and years I've been reading this. Why is this interesting? I mean, Batman doesn't have any super powers, per se - just cool equipment, an extensive knowledge of the martial arts, and know-how about detective processes. Superman, coming from another planet, does have superpowers - flying, super-strength, enormous speed. Wouldn't he whip Batman's butt?
Brains trump brawn every time. Brains and kryptonite.
New CD releases of note
June 14
The 101'ers (Joe Strummer's pre-Clash band) Elgin Avenue Breakdown (Revisited)
Ry Cooder Chavez Ravine
Miles Davis 'Round About Midnight: Legacy Edition
Ian Dury New Boots & Panties
Brian Eno Another Day on Earth
The Everly Brothers Too Good to Be True: 18 Unreleased 1950s Sessions
Connie Francis Gold
Stevie Wonder A Time 2 Love
OST Batman Begins
OST Bewitched
DVD Paul McCartney in Red Square
June 21
Jonathan Edwards Have a Good Time for Me
Juan Garcia Esquivel Sights and Sounds of
Chris Hillman The Other Side
Julie London Yummy, Yummy, Yummy
The Ventures Alive Five-O: The Anthology
VA Heaven Must Have Sent You: The Holland/Dozier/Holland Anthology
OST Herbie Fully Loaded
OST Six Feet Under: Everything Ends
The 101'ers (Joe Strummer's pre-Clash band) Elgin Avenue Breakdown (Revisited)
Ry Cooder Chavez Ravine
Miles Davis 'Round About Midnight: Legacy Edition
Ian Dury New Boots & Panties
Brian Eno Another Day on Earth
The Everly Brothers Too Good to Be True: 18 Unreleased 1950s Sessions
Connie Francis Gold
Stevie Wonder A Time 2 Love
OST Batman Begins
OST Bewitched
DVD Paul McCartney in Red Square
June 21
Jonathan Edwards Have a Good Time for Me
Juan Garcia Esquivel Sights and Sounds of
Chris Hillman The Other Side
Julie London Yummy, Yummy, Yummy
The Ventures Alive Five-O: The Anthology
VA Heaven Must Have Sent You: The Holland/Dozier/Holland Anthology
OST Herbie Fully Loaded
OST Six Feet Under: Everything Ends
Making of a new Bat logo
Designer John Spencer tells how he created the new "Batman Begins" bat symbol:
Mr Spencer, who prefers not to reveal how much he was paid for the work, said: "I spent about two weeks looking at the original logo.
"At first I thought it couldn't be bettered, but the more I looked at it the more I thought it looked like a half eaten apple core. There wasn't a straight line in it."
He added: "It was a pretty hectic time." He spent a lot of time going back and forth to Sheperton Studios to check what he was doing was acceptable.
"We finally agreed on a design that has a lot of straight lines. It's much more angular and aggressive than the original, which I think reflects the film."
Mr Spencer, who prefers not to reveal how much he was paid for the work, said: "I spent about two weeks looking at the original logo.
"At first I thought it couldn't be bettered, but the more I looked at it the more I thought it looked like a half eaten apple core. There wasn't a straight line in it."
He added: "It was a pretty hectic time." He spent a lot of time going back and forth to Sheperton Studios to check what he was doing was acceptable.
"We finally agreed on a design that has a lot of straight lines. It's much more angular and aggressive than the original, which I think reflects the film."
Pink Feud
You've probably heard the Pink Floyd is reuniting for one of those "Live 8" concerts, and it's surprising news to anyone who's followed the history of the group.
These guys--particularly bassinst Roger Waters and guitarist Dave Gilmour--really, really have a hard time getting along.
The Independent has a detailed look at one of rock's greatest feuds:
As the new millennium got under way, Gilmour, self-confessedly inarticulate, explained why he still didn't talk to Waters. "Roger's a prick," he said.
Undercutting Waters' old gripes about meaningless stadium rock concerts done for the money, Gilmour appeared in 2001 at the South Bank Meltdown Festival. Three years later, Nick Mason, the only other surviving original Floyd member, published his own version of Floyd history, Inside Out.
Mason, a self-confessed mediator, wrote in his book of the band's early approach to relationships: "We had a style - if there's a problem, ignore it." No change there, then. Typically, neither Gilmour nor Waters originally wanted the book published. Perhaps he should have called it I Used To Be In Pink Floyd, But Now I'm Alright.
These guys--particularly bassinst Roger Waters and guitarist Dave Gilmour--really, really have a hard time getting along.
The Independent has a detailed look at one of rock's greatest feuds:
As the new millennium got under way, Gilmour, self-confessedly inarticulate, explained why he still didn't talk to Waters. "Roger's a prick," he said.
Undercutting Waters' old gripes about meaningless stadium rock concerts done for the money, Gilmour appeared in 2001 at the South Bank Meltdown Festival. Three years later, Nick Mason, the only other surviving original Floyd member, published his own version of Floyd history, Inside Out.
Mason, a self-confessed mediator, wrote in his book of the band's early approach to relationships: "We had a style - if there's a problem, ignore it." No change there, then. Typically, neither Gilmour nor Waters originally wanted the book published. Perhaps he should have called it I Used To Be In Pink Floyd, But Now I'm Alright.
This week's new DVD releases
June 14
The Joan Crawford Collection (Humoresque; Mildred Pierce; Possessed; Women; The Damned Don't Cry)
The Bette Davis Collection (Dark Victory; The Letter; Mr. Skeffington; Now, Voyager; The Star)
Casino Special Edition
Northern Exposure Complete Third Season
The Joan Crawford Collection (Humoresque; Mildred Pierce; Possessed; Women; The Damned Don't Cry)
The Bette Davis Collection (Dark Victory; The Letter; Mr. Skeffington; Now, Voyager; The Star)
Casino Special Edition
Northern Exposure Complete Third Season
Another "Batman Begins" review
From USA Today:
...Batman 5 (* * ½ out of four) reverses the order of Mike Tyson's weekend bout: The early going - say, an hour - is spent in a fatigued daze. A few powerful jabs eventually punch things up.
...The movie finally improves (and starts showing a sense of humor) back home in Gotham. Bruce returns to don the duds and start going mobile in his famous wheels. It's all to fight a nefarious municipal scheme that, among other things, gives Gary Oldman, who is one of many welcome and familiar character actors, a rare chance to play a good guy.
Two more things to note: No fan of cult director Christopher Nolan is going to regard this respectable effort as anything but a comedown from 2001's Memento. And since the previous Batman movies, we've had the potent Spider-Man duo, which impressively gave us "lively" and "brooding" at the same time.
...Batman 5 (* * ½ out of four) reverses the order of Mike Tyson's weekend bout: The early going - say, an hour - is spent in a fatigued daze. A few powerful jabs eventually punch things up.
...The movie finally improves (and starts showing a sense of humor) back home in Gotham. Bruce returns to don the duds and start going mobile in his famous wheels. It's all to fight a nefarious municipal scheme that, among other things, gives Gary Oldman, who is one of many welcome and familiar character actors, a rare chance to play a good guy.
Two more things to note: No fan of cult director Christopher Nolan is going to regard this respectable effort as anything but a comedown from 2001's Memento. And since the previous Batman movies, we've had the potent Spider-Man duo, which impressively gave us "lively" and "brooding" at the same time.
Early Dr. Seuss works coming
Checker Book Publishing Group is pleased to announce the launch of a new series… Theodor Seuss Geisel (aka Dr. Seuss)! These collections will reprint the good doctor’s illustrations from early in his career, before his children’s books became world famous.
Geisel’s short stories, essays, and cartoons appeared in national publications such as Judge, Liberty, and PM, and he also created a myriad of advertising illustrations for various companies. Geisel also illustrated a wide variety of other print publications, calendars, and joke books such as “The Pocket Book of Boners”. Geisel’s illustrations turned this book into a national bestseller, and one of his advertising campaigns even proved to be so popular with the public that in 1929, a book collecting some of his advertisement designs was published.
Checker has collected dozens upon dozens of Geisel’s illustrations and has undertaken to restore these iconic cartoons of this world-famous artist. Under the nom-de-plume “Dr. Seuss”, Geisel has sold over 500 million books worldwide and continues to inspire generations of fans both young and old.
Checker’s first volume of “Theodor Seuss Geisel: Early Works” is slated for August 2005 publication. Volume 2 is scheduled for November 2005, with Volume 3 following in Spring 2006. All of the books in the series will have a high-quality hardcover format, dust jacket and black and white illustrations.
Geisel’s short stories, essays, and cartoons appeared in national publications such as Judge, Liberty, and PM, and he also created a myriad of advertising illustrations for various companies. Geisel also illustrated a wide variety of other print publications, calendars, and joke books such as “The Pocket Book of Boners”. Geisel’s illustrations turned this book into a national bestseller, and one of his advertising campaigns even proved to be so popular with the public that in 1929, a book collecting some of his advertisement designs was published.
Checker has collected dozens upon dozens of Geisel’s illustrations and has undertaken to restore these iconic cartoons of this world-famous artist. Under the nom-de-plume “Dr. Seuss”, Geisel has sold over 500 million books worldwide and continues to inspire generations of fans both young and old.
Checker’s first volume of “Theodor Seuss Geisel: Early Works” is slated for August 2005 publication. Volume 2 is scheduled for November 2005, with Volume 3 following in Spring 2006. All of the books in the series will have a high-quality hardcover format, dust jacket and black and white illustrations.
Asterix smacks Mickey Mouse
That super-strength potion must work: An Asterix theme park is raking in the dough while Euro Disney struggles, says this report.
Whereas Euro Disney has struggled financially since its launch in the early 1990s despite attracting some 13-million visitors a year from all over the globe, the smaller Asterix park, opened in 1989, has turned in a profit since 1999 and that with a mainly French clientele.
..."We have the advantage of not being too in debt, and also of dealing with completely different volumes," the director of Asterix park, Alain Trouve, told AFP. With its two million visitors a year, 85 percent of which are French, the park registered almost €67-million in turnover in 2004 and again turned in a profit.
Euro Disney on the other hand has already had to restructure its finances twice as it struggles to service a €2.4-billion debt.
Trouve links the Asterix park's success to the Asterix comic book characters who are anchored in French popular culture and a rigorous management of the park which only opens for 160 days a year.
"The idea was to bring the characters on the page alive as well as their spirit. To find the humour, convivality and the strength of the characters and to put that all in a park," he said.
More on Parc Asterix.
Asterix books.
Whereas Euro Disney has struggled financially since its launch in the early 1990s despite attracting some 13-million visitors a year from all over the globe, the smaller Asterix park, opened in 1989, has turned in a profit since 1999 and that with a mainly French clientele.
..."We have the advantage of not being too in debt, and also of dealing with completely different volumes," the director of Asterix park, Alain Trouve, told AFP. With its two million visitors a year, 85 percent of which are French, the park registered almost €67-million in turnover in 2004 and again turned in a profit.
Euro Disney on the other hand has already had to restructure its finances twice as it struggles to service a €2.4-billion debt.
Trouve links the Asterix park's success to the Asterix comic book characters who are anchored in French popular culture and a rigorous management of the park which only opens for 160 days a year.
"The idea was to bring the characters on the page alive as well as their spirit. To find the humour, convivality and the strength of the characters and to put that all in a park," he said.
More on Parc Asterix.
Asterix books.
Batman and his "comic book roots"
The prevalent angle newspapers are using when reporting on "Batman Begins" is that the film "returns the hero to his comic book roots."
But what are those roots? Batman has been many things in comic books over the years: A grim-faced crimefighter (1930s), smiling adventurer (1940s), spacefarer and time traveler (1950s, 60s), back-to-basics crimefighter-man-of-the-people (1970s) and--currently--a humorless psychotic ninja.
Reports indicate the film lifts a lot of its inspiration from Frank Miller's "Batman Year One" with a dollop of Denny O'Neill and Neal Adams' bronze age run (it features Ras Al Ghul, after all).
I guess that's all fine. But the gist of these articles is that the comics offer the "real" Batman, whereas, current comics actually seem to be more confused than Hollywood about what to do with the poor guy.
For 20 years, the comics have been pretty much retreads of and variations on Frank Miller's "The Dark Knight Returns," itself originally a one-off "imaginary tale" that took a "what if" look at one of the Caped Crusader's possible futures. The take has gotten pretty old. Any shred of humanity or humor the character held is pretty much gone.
A recent bright spot, though, is the "Dark Detective" mini-series DC is currently running. Featuring script and art from the classic Steven Englehart-Marshall Rogers team of the late 1970s, it's the best-of-all-worlds take on the character. This Batman is tough, dark, but feeling. He cracks the occasional joke and smile. He has a love life.
Englehart draws much of his inspiration from the late 40s Batman, when the character was lightening up from his grim beginnings but not ready to blast off into space quite yet. O'Neill and Adams took much the same approach when they handled the character in the early 70s.
I don't know for sure which Batman "Batman Begins" features, but if he's anything close to this one, that's great. He's a Batman I'd like to see a lot more of.
But what are those roots? Batman has been many things in comic books over the years: A grim-faced crimefighter (1930s), smiling adventurer (1940s), spacefarer and time traveler (1950s, 60s), back-to-basics crimefighter-man-of-the-people (1970s) and--currently--a humorless psychotic ninja.
Reports indicate the film lifts a lot of its inspiration from Frank Miller's "Batman Year One" with a dollop of Denny O'Neill and Neal Adams' bronze age run (it features Ras Al Ghul, after all).
I guess that's all fine. But the gist of these articles is that the comics offer the "real" Batman, whereas, current comics actually seem to be more confused than Hollywood about what to do with the poor guy.
For 20 years, the comics have been pretty much retreads of and variations on Frank Miller's "The Dark Knight Returns," itself originally a one-off "imaginary tale" that took a "what if" look at one of the Caped Crusader's possible futures. The take has gotten pretty old. Any shred of humanity or humor the character held is pretty much gone.
A recent bright spot, though, is the "Dark Detective" mini-series DC is currently running. Featuring script and art from the classic Steven Englehart-Marshall Rogers team of the late 1970s, it's the best-of-all-worlds take on the character. This Batman is tough, dark, but feeling. He cracks the occasional joke and smile. He has a love life.
Englehart draws much of his inspiration from the late 40s Batman, when the character was lightening up from his grim beginnings but not ready to blast off into space quite yet. O'Neill and Adams took much the same approach when they handled the character in the early 70s.
I don't know for sure which Batman "Batman Begins" features, but if he's anything close to this one, that's great. He's a Batman I'd like to see a lot more of.
Summer means Slurpees
The beverage (I guess you'd call it a beverage...) is celebrating its 40th anniversary says this press release:
7-Eleven, Inc. has launched a month-long celebration of Slurpee's 40th birthday on July 11, 2005. To celebrate this iconic brand, 7-Eleven is introducing retro Slurpee cups and flavors in participating 7-Eleven® stores nationwide, airing original Slurpee radio spots from the 1960s, and offering prizes and promotions as part of the Slurpee Summer Prize Fest, including free music downloads and the chance to win one of four MINI Cooper convertibles.
Today, Slurpee is one of America's most recognized brands, but when Slurpee was introduced in 1965 it was a groundbreaking concept that took America by storm. Still served at a chilling 28 degrees, Slurpee enjoys worldwide popularity and is available in 14 countries and U.S. territories.
"A lot has changed since 1965, but not Slurpee. It's the ultimate retro drink, still cool even after 40 years," said Kevin Cooper, 7-Eleven category manager for Slurpee and fountain. "That's why we decided to have some fun this summer with some of the crazy '60s Slurpee flavors like Blue Blunder Berry and Gully Washer."
"Slurpee is truly an iconic American brand," said Wendy Liebmann, founder and president, WSL Strategic Retail. "Slurpee was one of the defining icons of American pop culture in the 1960s. Forty years later, it still resonates with a broad base of consumers who see it as their big chilly drink of choice."
Starting today, 7-Eleven customers can slurp Blue Blunder Berry in June and Gully Washer during July, two retro flavors developed by The Coca- Cola Company. Four color-changing Slurpee mugs feature graphics representing the decades of the 1960s, 1970s, 1980s and 1990s. Tinted bright blue, yellow, orange or green, the 38-ounce refillable mugs dramatically change colors when a cold Slurpee hits the mug, designed to fit any car cup holder. Retailing for $2.49, the price includes the mug, one Slurpee fill-up and free Wonka candy.
All Slurpee customers will be winners during the Slurpee Summer Prize Fest. Throughout June and July, 7-Eleven is giving away one free music download on all standard Slurpee cups. Last but not least, 7-Eleven is giving away four grand prize MINI Cooper convertibles, one for each decade of the Slurpee's 40 years of popularity and each painted a bright Slurpee color. Customers can register to win at participating 7-Eleven stores nationwide or online at http://www.slurpee.com .
"We decided to celebrate Slurpee's birthday by giving our customers a gift -- Slurpees, music and convertibles seemed like a natural fit," said Cooper. "Slurpee lovers can collect both music and cups during the celebration, and if they're really lucky, they might win a car!"
That's all very nice. But what we really want are Slurpee superhero cups!
7-Eleven, Inc. has launched a month-long celebration of Slurpee's 40th birthday on July 11, 2005. To celebrate this iconic brand, 7-Eleven is introducing retro Slurpee cups and flavors in participating 7-Eleven® stores nationwide, airing original Slurpee radio spots from the 1960s, and offering prizes and promotions as part of the Slurpee Summer Prize Fest, including free music downloads and the chance to win one of four MINI Cooper convertibles.
Today, Slurpee is one of America's most recognized brands, but when Slurpee was introduced in 1965 it was a groundbreaking concept that took America by storm. Still served at a chilling 28 degrees, Slurpee enjoys worldwide popularity and is available in 14 countries and U.S. territories.
"A lot has changed since 1965, but not Slurpee. It's the ultimate retro drink, still cool even after 40 years," said Kevin Cooper, 7-Eleven category manager for Slurpee and fountain. "That's why we decided to have some fun this summer with some of the crazy '60s Slurpee flavors like Blue Blunder Berry and Gully Washer."
"Slurpee is truly an iconic American brand," said Wendy Liebmann, founder and president, WSL Strategic Retail. "Slurpee was one of the defining icons of American pop culture in the 1960s. Forty years later, it still resonates with a broad base of consumers who see it as their big chilly drink of choice."
Starting today, 7-Eleven customers can slurp Blue Blunder Berry in June and Gully Washer during July, two retro flavors developed by The Coca- Cola Company. Four color-changing Slurpee mugs feature graphics representing the decades of the 1960s, 1970s, 1980s and 1990s. Tinted bright blue, yellow, orange or green, the 38-ounce refillable mugs dramatically change colors when a cold Slurpee hits the mug, designed to fit any car cup holder. Retailing for $2.49, the price includes the mug, one Slurpee fill-up and free Wonka candy.
All Slurpee customers will be winners during the Slurpee Summer Prize Fest. Throughout June and July, 7-Eleven is giving away one free music download on all standard Slurpee cups. Last but not least, 7-Eleven is giving away four grand prize MINI Cooper convertibles, one for each decade of the Slurpee's 40 years of popularity and each painted a bright Slurpee color. Customers can register to win at participating 7-Eleven stores nationwide or online at http://www.slurpee.com .
"We decided to celebrate Slurpee's birthday by giving our customers a gift -- Slurpees, music and convertibles seemed like a natural fit," said Cooper. "Slurpee lovers can collect both music and cups during the celebration, and if they're really lucky, they might win a car!"
That's all very nice. But what we really want are Slurpee superhero cups!
The fine art of DVD tie-ins
It's summer blockbuster season and, since all summer blockbusters these days seem to be based on past movies and TV shows, that means it's also a big season for DVD releases.
The Hollywood Reporter provides a rundown of things we can expect:
"Batman Begins" yields the release of Volume 3 of "Batman -- The Animated Series" and the TV movie "Return to the Batcave," a look back at the Adam West-Burt Ward series. Notably, though, Universal (which owns the rights) has yet again blown an opportunity to release the 1960s Batman series on home video. They didn't do it on tape back when the Tim Burton flick came out, and they couldn't get it together for this new movie either.
As a tie-in to the upcoming Steven Spielberg adaptation, a couple of DVD documentaries focus on the hysteria provoked by the "War of the Worlds."
The original, Japanese version of "Dark Water" is coming out June 21, dovetailing with the release of the Jennifer Connelly version.
And the complete 1990s "Fantastic Four" cartoon is coming out July 5, to tie-in with the release of the quartet's new live-action feature, which opens the same day.
The Hollywood Reporter provides a rundown of things we can expect:
"Batman Begins" yields the release of Volume 3 of "Batman -- The Animated Series" and the TV movie "Return to the Batcave," a look back at the Adam West-Burt Ward series. Notably, though, Universal (which owns the rights) has yet again blown an opportunity to release the 1960s Batman series on home video. They didn't do it on tape back when the Tim Burton flick came out, and they couldn't get it together for this new movie either.
As a tie-in to the upcoming Steven Spielberg adaptation, a couple of DVD documentaries focus on the hysteria provoked by the "War of the Worlds."
The original, Japanese version of "Dark Water" is coming out June 21, dovetailing with the release of the Jennifer Connelly version.
And the complete 1990s "Fantastic Four" cartoon is coming out July 5, to tie-in with the release of the quartet's new live-action feature, which opens the same day.
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