New Music Friday: Rolling Stones; John Coltrane; Kate Bush; Sufjan Stevens

The Rolling Stones / Beggars Banquet 50th Anniversary Edition

John Coltrane / 1963: New Directions

Kate Bush - Remastered in Vinyl I

Kate Bush - Remastered in Vinyl II

Kate Bush / Director's Cut 

Kate Bush / Hounds Of Love

Kate Bush / Lionheart

Kate Bush / The Dreaming

Kate Bush / The Kick Inside

Sufjan Stevens / The Greatest Gift

The Good, The Bad and the Queen - Merrie Land

Pop Culture Roundup: Stan Lee edition



There were many, many articles and posts online this week about Stan Lee, who passed away, on Monday, at age 95. Below are links to some of the ones I found interesting. I'm sure there will be many, many more to come.

We'll start off with an obit from The Comics Journal, which does a nice job of detailing the mixed feelings many fans have regarding the Man:

It would be hard to overestimate Lee’s impact on the art, business and cultural image of comics. His noteworthy creative work emerged during a roughly 10-year period, but his comics career spanned more than 75 years — very nearly the life of the comics industry itself. During that time, atypical among comics creators, he had only one boss: Marvel (aka Timely and Atlas Comics). In the 1960s, Lee ignited and oversaw the greatest burst of creativity the superhero genre had seen since the invention of Superman. As Marvel’s editor-in-chief, he infused the line with a recognizable house style built upon the prolific Jack Kirby’s solidly dynamic art. As Marvel’s head writer, he created a world where super-heroic tropes stumbled ironically and engagingly among the petty details of everyday life. As Marvel’s spokesperson, he made readers feel they were part of an elite club and shepherded comics out of the kid-lit ghetto and onto college campuses.

But his willingness to toe the company line meant that his name and smiling face became corporate logos that were routinely stamped over the credits of other comics creators. Because his name became shorthand in the media for the multitude of creative efforts that had breathed life into the Marvel universe and because he allowed a “Stan Lee Presents” blurb to introduce even comics he had no involvement with, many in the fan community accused Lee of hogging the limelight and obscuring the work of Marvel artists. 

His relationships with some of those artists, notably Kirby, soured into enduring animosity, but Lee himself rarely, if ever, expressed anger toward his co-creators in public. And more often than not, his colleagues described him as a generous and enthusiastic storyteller, often acting out plots in his offices, generating ideas even into his eighth decade.

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And while he promises a longer, more-detailed piece later on, comics writer/historian Mark Evanier had this to say:

Stan was a very charming, friendly guy most of the time and he did lovely things like send little thank-you notes and if you showed him something you'd made — a drawing, a story, anything — he'd usually praise the heck out of it and make you feel like a star. Many, many people owed their careers to him and he was a great, witty interviewee — a skill most others around him lacked. You can apply any measure of weight to all that good will and gladhanding but it's certainly not nothing. He made a lot of people love him and I don't mean that in a bad way. Like all of us, he was a multi-faceted person even if he usually managed to show but one facet. The time will come when it's easier to talk about the others.

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Former Marvel editor/writer Roy Thomas, meanwhile, recounted his final visit with his mentor, which took place just a two days before Stan passed away.

I think he was ready to go. But he was still talking about doing more cameos. As long as he had the energy for it and didn't have to travel, Stan was always up to do some more cameos. He got a kick out of those more than anything else.

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Author Glen Weldon at NPR, on Stan's special abilities.

He knew that readers of superhero comics wanted — needed — to see themselves in their pages, and if said readers were now teenagers, that meant that superheroes now had to reflect — had to radiate — teenage emotions. In place of joy, anger, sadness (the emotions of the elementary school playground) he imbued his heroes with angst, jealousy, depression, feelings of inadequacy (the emotions of the high school lunchroom and gymnasium).

They bickered. They wept. They felt crushing guilt. They fought giant cosmic battles while worrying about paying their rent.

As a result, they became a sensation.

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SyFy on how Stan helped create modern fandom.

So, we got "Bullpen Bulletins" and "Stan's Soapbox," and the Lee we most easily recognize throughout pop culture — bombastic, grinning, playfully combative, and even progressive — was born in those pages. That version of Stan was also born in the credits of this new wave of comics, where he would unabashedly praise himself and his cohorts as legends in their own time (while poking fun at good ol' Artie Simek) and grant everyone some kind of grandiose nickname.

On his watch, Marvel's creators became recognizable names that kids all over America grew to love and idolize (longtime Marvel creator Brian Michael Bendis gave this practice credit for jumpstarting his comics ambitions), and many of them became and remain larger than life icons. Actual tangible credit for comics creators is still an issue we wrestle with now, but from the perspective of fandom, that was huge.

Then there was the overall tone of the letters pages themselves. Stan didn't just want his readers to think his comics were good. He wanted them to think they were the best and only comics worth picking up, and "Make Mine Marvel" was born as a rallying cry. Yes, it was a shrewd marketing tactic designed to make money, but it also jumpstarted a sense of real direction and identity for Marvel readers, who in those early days became members of The Merry Marvel Marching Society. It was no longer just about picking up a comic on the stands because it looked neat. It was about who you were as a fan, what you cared about and why that really mattered. It started as something playful, but we can still the ripple effects of that kind of thinking now, and it didn't exist in superhero fandom in that form until Stan framed it that way.

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Also from SyFy, how Stan used his soapbox as ... a soapbox!



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Via WogBlog: Stan Lee and the Beatles.


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From the Comics Journal archives: Stan and DC Comics Publisher Jenette Kahn on a discussion panel at Temple University in 1979.

Lee and Kahn also disagreed on the amount of money comics writers make in comparison to writers in other fields. Lee felt they could make more by sheer volume of work. This caused Kahn to shoot him an unbelieving look, and he defended himself: “I was a comic book writer once so I should know.”

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It's estimated Marvel's characters, many which Stan co-created with Jack Kirby or Steve Ditko, have generated $33,067,097,585.64 at the box office.

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Excelsior!

New "Aquaman" movie poster

Jason Momoa and Amber Heard in classic costume as Aquaman and Mera. The film is out Dec. 21.


Stan Lee 1922-2018

I'm so sad to note the passage of Stan Lee, co-creator of the Marvel Comics Universe, who died at age 95 today.

This is a day we all suspected was coming soon, but one that hits hard, nevertheless.

For those of us who grew up reading his comic book scripts and Stan's Soapbox columns, and, I suspect, for those who've grown up seeing his many cameos in Marvel's movies, it's difficult to contemplate living in a world with no Stan Lee. I know it's going to take me a long time to get used to  it.

Without a doubt, I'll be paying tribute to Stan and his fellow Marvel creators for a long time to come here at Pop Culture Safari. But, today, I'm thinking about the one brief moment I got to spend in the presence of the Man.

I grew up in a state that doesn't have much in the way of comic book conventions, so my direct contact with the comics creators I admired as a kid has always been pretty much limited to the actual pages of comic books themselves.

Several years back, though, I did manage to make it to a con at which Stan was a featured guest. In fact, Stan's presence was pretty much the only reason I made the trip.

Sadly, Stan didn't present a lecture or participate in a Q&A at the event. But he did, for a considerable sum, pose for pictures with fans.

I think such photos are a weird phenomena. They seem so strangely transactional and raise all sorts of questions about fame and how bizarre it is. Are fellow humans really that much more important than the rest of us that we should pay to be in the same picture frame as them? I mean, Stan was just a guy, right?

But I paid and it was worth it, not just for the pic below of me, my kids, and Stan, but also for the chance to say, literally, "thank you," which I did right after the shutter clicked.

Stan at that moment was functioning, basically, as a human prop. In fact, that's what he looks like in the picture. He didn't have much time to move, let alone speak, before the next set of fans sidled up next to him. But he did give a smile and a slight nod of acknowledgement at my comment. And my inner fanboy smiled, too.

I'm glad I had the chance, in person, to say thanks to one of the people who helped make my childhood a little more magical.

Thank you, once again, Stan, for all those Marvelous memories. And, to all my fellow fans out there, I'm thinking of you. Be well. This is a tough one, but we'll make it through if we all hang together.


Vintage Marvel Comics Superheros cartoon place mat


New comics collections for January 2019: Black Panther; Captain America; Kirby, more

Black Panther Epic Collection: Revenge of the Black Panther

Decades: Marvel in the 50s - Captain America Strikes! 

Kirby is...Fantastic! King-Sized Hardcover

Marvel Masterworks: The Invincible Iron Man Vol. 12

Marvel Masterworks: The Savage She-Hulk Vol. 2

Creepy Archives Volume 28

Corto Maltese - The Secret Rose

Disney Masters Vol. 6: 
Giovan Battista Carpi: 
Walt Disney's Uncle Scrooge: King Of The Golden River

The Martian Monster And Other Stories (The EC Comics Library)

Vintage Superman and Marvel Comics comic rack sign


New Music Friday: The Beatles; Jimi Hendrix; Charles Bradley; Marianne Faithfull

The Beatles (The White Album) [6 CD + Blu-ray]

The Beatles (The White Album) [4 LP]

The Beatles (The White Album) [3 CD] 

Charles Bradley - Black Velvet

Marianne Faithfull - Come and Stay with Me: The UK 45s 1964-1969

Al Green - The Hi Records Singles Collection

Jimi Hendrix Experience - Electric Ladyland 50th Anniversary Edition

Pop Culture Roundup: Hot Wheels stamps; Amazon wishbook; walkie talkies; Six Million Dollar Man

The USPS is celebrating the 50th anniversary of Hot Wheels with a series of new stamps. I love Hot Wheels.

It'll never replace the Sears Wishbook in my heart, but Amazon is mailing (really mailing) out a holiday catalog.


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Walkie-talkies were so much more fun than texts.


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The Six Million Dollar Man visits Toy "R" Us, 1974.