Our picks this month. Click the links to order from Amazon.
Since 1970, The Overstreet Comic Book Price Guide has been known as "the Bible" of comic book dealers, collectors and historians. In addition to all the new prices, market reports, and Overstreet Hall of Fame inductees, this edition features a 60th anniversary look at Marvel's Avengers and insights into DC's decades of Justice League/Justice Society crossovers. Avengers cover by Kevin Nowlan.
In 1982, Robert E. Howard's iconic literary anti-hero, Conan, slashed his way from page to screen after a perilous decades-long journey. With its potent mix of epic vistas and bloody battles, Conan the Barbarian thrilled moviegoers around the world and launched the career of Arnold Schwarzenegger.
Forty years after its release, this cult-classic film is celebrated in Conan the Barbarian - The Official Story of the Film, a lush hardback volume that tells the full story of how the film was made. Brand new interviews with cast and crew, as well behind-the-scenes photography from the set and concept art created for the production, give fascinating insights into the development of one of the best-loved fantasy films of the 1980s.
Curious readers and fans of monsters and the macabre, get ready to bulk up your TBR piles! Sadie “Mother Horror” Hartmann has curated the best selection of modern horror books, including plenty of deep cuts. Indulge your heart’s darkest desires to be terrified, unsettled, disgusted, and heartbroken with stories that span everything from paranormal hauntings and creepy death cults to small-town terrors and apocalyptic disasters. Each recommendation includes a full synopsis as well as a quick overview of the book’s themes, style, and tone so you can narrow down your next read at a glance. Featuring a foreword by New York Times bestselling author Josh Malerman and five brand-new essays from rising voices in the genre, this illustrated reader’s guide is perfect for anyone who dares to delve into the dark.
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Michael Golden is a true "Artist's Artist," his work has inspired several generations of comic artists, and fans across the globe eagerly await his new releases. This Artist's Edition of Golden's Marvel work will include four stories (two short NAM stories from Savage Tales, and the Wolverine Christmas story), including one of his most fondly remembered, the Spider-Man/Hulk from Marvel Fanfare #47--considered to be one of his very best! Additionally, this collection will include pages from Doctor Strange #55, Avengers Annual #10, and covers galore!
In the 1970s, mass-produced, cheaply printed science-fiction novels were thriving. The paper was rough, the titles outrageous, and the cover art astounding. Over the course of the decade, a stable of talented painters, comic-book artists, and designers produced thousands of the most eye-catching book covers to ever grace bookstore shelves (or spinner racks). Curiously, the pieces commissioned for these covers often had very little to do with the contents of the books they were selling, but by leaning heavily on psychedelic imagery, far-out landscapes, and trippy surrealism, the art was able to satisfy the same space race–fueled appetite for the big ideas and brave new worlds that sci-fi writers were boldly pushing forward.
In Worlds Beyond Time: Sci-Fi Art of the 1970s, Adam Rowe—who has been curating, championing, and resurrecting the best and most obscure art that 1970s sci-fi has to offer on his blog 70s Sci-Fi Art—introduces readers to the biggest names in the genre, including Chris Foss, Peter Elson, Tim White, Jack Gaughan, and Virgil Finlay, as well as their influences. With deep dives into the subject matter that commonly appeared on these covers—spaceships, alien landscapes, fantasy realms, cryptozoology, and heavy machinery—this book is a loving tribute to a unique and robust art form whose legacy lives on both in nostalgic appreciation as well as the retro-chic design of mainstream sci-fi films such as Guardians of the Galaxy, Alien: Covenant, and Thor: Ragnarok.
An in-depth look at the making of the hit show, the book includes profiles of the characters featured in the show including Boba Fett, Fennec Shand, Ahsoka Tano, Luke Skywalker, Din Djarin, and Grogu along with rare photographs, production art, a complete episode guide, and a detailed behind-the scenes look at the visual effects.
Best known for his wildly imaginative, gleefully absurdist television show in the 1950s, Ernie Kovacs (1919 – 1962) was also a notorious illustrator, novelist, essayist, newspaper columnist, and poet. In celebration of this cockeyed genius and his prolific creative output, Fantagraphics presents a career retrospective featuring never-before-seen photos from Kovacs's archive; excerpts of his magazine articles, columns and books, hand-notated TV scripts: a smattering of his "illustrated profuselies," the wacky improvisational sketches he drew on air; and more.
Curated by Josh Mills (son of Edie Adams, Kovacs's wife and a performer on his show), Edie/Ernie archivist Ben Model, and counterculture historian Pat Thomas, the book offers a unique glimpse into the mind of a pioneering comedian. The first Kovacs book to be published in 30 years, this impressive collection features previously unpublished Ernie photos, drawings and writings, vintage 1960s magazine articles reprinted for the first time, and new essays by Ann Magnuson and Ron Mael of Sparks.
Kovacs inspired countless comedians, musicians, humorists, and writers in the latter half of the 20th century and beyond. He is cited as a direct influence by the creators and stars of such innovative comedy series as Saturday Night Live, Monty Python, and Mystery Science Theater 3000. An award in his name has been granted to uproarious humorists like Amy Sedaris (Strangers with Candy) and Harry Shearer (This is Spinal Tap). A true visionary, Kovacs's iconoclastic approach has forever made its mark on the world of comedy.
Take in the glitz, glamour, and graphics of vintage Hollywood with Hollywood Signs: Glittering Graphics and Glowing Neon in Mid-Century Tinseltown. The glittering lights of the big city have never been brighter than in this delightful book from author/designer Kathy Kikkert. Featuring signage from Hollywood’s hottest bars, nightclubs, restaurants and movie theaters, Hollywood Signs is a glowing love letter to Tinsletown type. And who can forget the sign that started it all, the original and iconic “Hollywood Sign” perched on its hill for all to admire. Perfect for locals and tourists, mid-century mavens and design aficionados, Hollywood Signs is a love-letter to La-La Land in all its illuminated glory.
Spanning three decades worth of astute, acerbic, and overall astounding music writing, Kick Out the Jams is the first large-scale anthology of the work of renowned critic Dave Marsh. Ranging from Elvis Presley to Kurt Cobain, from Nina Simone to Ani DiFranco, from the Beatles to Green Day, the book gives an opinionated, eye-opening overview of 20th century popular music—offering a portrait not just of an era but of a writer wrestling with the American empire.
Every essay bears the distinct Dave Marsh attitude and voice. That passion is evident in a heart-wrenching piece on Cobain’s suicide and legacy; a humorous attack on “Bono’s bullshit;” an indignant look at James Brown and the FBI; deep, revelatory probes into the work of underappreciated artists like Patty Griffin and Alejandro Escovedo; and inspiring insight into what drives Marsh as a writer, namely “a raging passion to explain things in the hope that others would not be trapped and to keep the way clear so that others from the trashy outskirts of barbarous America still had a place to stand—if not in the culture at large, at least in rock and roll.”
The Jive 95: An Oral History of America’s Greatest Underground Rock Radio Station, KSAN San Francisco is an oral history of America’s first hippie underground FM station which broadcast the countercultural consciousness of the ‘60s and ‘70s to a new generation. A communal radio band of intrepid hellraisers, pranksters, and drug-enlightened geniuses defined this psychedelic era, from the Summer of Love in Golden Gate Park, to the rebellion and bitter end of the late 1970s, which launched the Reagan Revolution.
Founded in San Francisco by Tom Donahue, a 1996 inductee into the Rock & Roll Hall of Fame, an entire generation of Americans discovered a new musical universe among dance clubs, light shows and street fests––the original pop-ups. Almost overnight, KSAN became an audio clubhouse, where anyone could belong with friends and the cool cats and hipsters they just met.
Rock gods, political stars, and literary celebrities, including Jerry Garcia, Ken Kesey, Sly Stone, and John Lennon were all interviewed by founder Tom Donahue and his cohorts, whose listeners “tuned in and turned on” to bands like Jefferson Airplane, The Grateful Dead, Janis Joplin, Quicksilver, Country Joe and the Fish, Hot Tuna, The Beatles and Santana, among others.
Folk journalist Hank Rosenfeld was there during those final years––writing, producing, and announcing. His warm, funny voice presents a behind-the-mic experience at KSAN, the beloved, “Jive 95,” whose delicious dose of enlightened sunshine and 33 rpm LP dreamscapes ignited a radio explosion from coast to coast.
In a dim clearing off a county road in Kentucky sits a sagging outdoor stage buried in moss and dead leaves. It used to be the centerpiece of carnival-like Sunday afternoons where local guitarists, fiddlers and mandolin players hammered out old mountain ballads and legends from the dawn of country music performed their classic hits. Most of the musicians who showed up have long since passed, but Nashville stars Ricky Skaggs and Marty Stuart survive. They were barely teenagers in the early 1970s when they visited this stage in the care of legends Ralph Stanley and Lester Flatt, respectively. Skaggs and Stuart followed their bosses to dozens of stages throughout Appalachia and deeper into the American southland. They were the children, absorbing the wondrous music and strange dramas around them as they became innovators and living symbols of country music.
Highways and Heartaches takes readers on the rural circuit Skaggs and Stuart traveled, where an acoustic sound first assembled by masters such as Bill Monroe, Earl Scruggs, and Mother Maybelle Carter ruled the day. The young men were heirs to a bluegrass tradition transmitted to them early in life. One part mountain soul and another African American–influenced rhythm, the music they received was alternately celebrated and neglected in the more than fifty years after the two met in 1971, but since then it has never stopped evolving and influencing the wider American culture thanks to Skaggs and Stuart and other actors in this book, such as Jerry Douglas, Tony Rice, Keith Whitley, Emmylou Harris, and Linda Ronstadt. Riveting portraits of Johnny Cash, Ralph Stanley, Lester Flatt and other heartland-born figures emerge, too.
Many people will recognize the famous crosswalk. Some visitors may have graffitied their name on its hallowed outer walls. Others might even have managed to penetrate the iron gates. But what draws in these thousands of fans here, year after year? What is it that really happens behind the doors of the most celebrated recording studio in the world?
It may have begun life as an affluent suburban house, but it soon became a creative hub renowned around the world as a place where great music, ground-breaking sounds, and unforgettable tunes were forged. It is nothing less than a witness to, and a key participant in, the history of popular music itself.
What has been going on there for over ninety years has called for skills that are musical, creative, technical, mechanical, interpersonal, logistical, managerial, chemical and, romantics might be tempted add, close to magic. The history of Abbey Road may just make you believe.
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In About Time, the whole of Doctor Who is examined through the lens of the real-world social and political changes as well as ongoing developments in television production that influenced the series in ways big and small over the course of a generation. Armed with these guidebooks, readers will be able to cast their minds back to 1975, 1982, 2005, and other years to best appreciate the series' content and character. The Second Edition of About Time 4 is such an upgrade, it's split into two volumes! Volume 2 greatly expands upon the commentary and essays offered on Doctor Who Seasons 15 to 17: the Graham Williams Era of Doctor Who, including the "Key to Time" season, all starring the iconic Tom Baker as the fourth Doctor. Essays in this volume include: “Is Doctor Who Unsuitable for Adults?”, “Why Does the Doctor's Age Keep Changing?” and “It's the Panto Essay, Isn't It Boys and Girls?”
As Nick and Nora Charles in the six Thin Man movies from 1934 to 1947, the team of William Powell and Myrna Loy showed that marriage didn’t have to mean the end of the romantic comedy. From the comedic delight that was the initial The Thin Man through its five sequels as well as eight other films (including the Oscar-winning The Great Ziegfeld and Manhattan Melodrama), Powell and Loy were cemented in the public imagination as Hollywood’s happiest married couple.
In Becoming Nick and Nora, comedy writer and Hollywood historian Rob Kozlowski follows the winding path that Powell and Loy’s screen personas took over their careers. Studios originally cultivated the two as villains in the silent era: Powell as a mustachioed, swashbuckling fiend and Loy as an “exotic” adversary. With the rise of talkies, the two managed to broaden their range beyond villainous stereotypes, but it took several false starts before they achieved their lasting legacy as Nick and Nora. Packed with behind-the-scenes details and memorable characters, this is a lively look at two tinseltown icons and a film series that remains beloved nearly a century later.
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Frank Miller helped redefine sequential storytelling in the early 1980s. His style, influenced by Will Eisner’s The Spirit, was new and exciting. One of his earliest issues featured the introduction of Elektra and was the first issue Miller wrote.
This Artist’s Edition features pages from Miller’s earliest beginnings on Daredevil (issues 159, 163, 165), as well as the glory days when Miller began writing the character as well as drawing it, including #168 (the first appearance of the iconic Elektra), as well as his continuing run on issues 169, 171, 172, 174-181 (#181 being the oversized classic "Death of Elektra"), followed by pages from issues 184-191 ( Miller’s final issue). Issues 168 and 181 have many of the most important and compelling sequences in these truly classic and historically important stories. Frank Miller’s Daredevil not only ranks as one of the classic comics of its era, and is a precursor to Miller’s Batman: The Dark Knight Returns, Batman: Year One, Ronin, and Sin City.
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