Recent releases of note. Links go to Bookshop.org
Marilyn: The Lost Photographs, the Last Interview
In July 1962, Marilyn Monroe was at a crossroads. At thirty-six years old and embroiled in legal battles with the studio of her current picture, Something’s Gotta Give, she was struggling with fame, age, and a studio system in which she no longer fit. When she sat down to give Richard Meryman an interview, she had a lot to say. Originally intended to be an interview about fame, over the course of four hours Marilyn talked about her entire life. Only a small portion of the interview was published in LIFE Magazine. When she died, just two days after the article was published, Meryman put the full transcript and the original tapes in his files, never to see the light of day.
Documenting this landmark interview was iconic photojournalist Allan Grant. His images of Marilyn would be her last formal photo shoot—in her home, in casual clothes, being the glorious, free spirit she was. Grant captured every emotion of the interview in these exquisite images, only eight of which were published alongside the LIFE interview excerpt. Most of the remainder of the images were stored in Allan’s safe, waiting to be rediscovered.
Roy Orbison: King of Hearts
He didn’t look, move, or sound like his contemporaries, but Roy Orbison, king of the emotionally charged, slow-burning, drama-ballad, struck a worldwide chord. Now, from acclaimed music biographer Jeff Apter, comes the definitive biography of one of music history’s most beloved, versatile, singer-songwriter legends.
Clad in black with dark shades, Roy Orbison had a mystique, style, and voice that were unmistakable and singularly different from his famous peers of the 1950s and ’60s, like Johnny Cash, Elvis, or Jerry Lee Lewis. Roy hit notes that, in the words of Bruce Springsteen, sounded “like the world’s going to end.”
How I Make Comics is not just about how Kim Deitch makes comics, but about how comics made him. The book pinwheels between real autobiography and imagined comics history, but it begins in 1952 with a true story of eight-year-old Kim Deitch appearing in the audience of the Howdy Doody Show with eight-year-old Donnie Trump. Following Donnie's attempt to rig an election among the audience (no kidding!), Deitch relates a famous newspaper account of a diminutive wife who valiantly defends her equally diminutive husband in court, who just happens to be the inspiration of Harold Gray's Little Orphan Annie. Periodically, Kim asks his own wife for her critique and advice of the stories he's told so far, which he takes into account for future tales that include revenge-driven circus performers, fairytale mural painters, sordid comic book lore, comics readers creating real-life superheroes, impossibly old cats issuing supernatural judgments and inhabiting the bodies of humans, culminating in the real-life story of Kim's mother hitchhiking across country and being picked up by none other than Forrest J. Ackerman, the sci-fi, fantasy, and monster aficionado, who takes her to a convention where she meets a teenaged Ray Bradbury.
"Yacht rockers, crate diggers, retromaniacs, and radio fanatics will relish this deep dive into the soft seventies. Chronicling an oft-overlooked era's overlapping genre worlds, Timothy Gray reconstructs the complexity of Pop's past while revising enduring presumptions about sonic classification and social identity. At one level a critical listening guide to a discounted taste formation, Easy recasts Soft Rock as a pale palimpsest of an entire decade's musical mainstream. Gray unearths historical continuities and unexpected generic congruencies that upend received wisdom. Yet even as strange bedfellows and crossover dreams bump up against enduring differences and divisions, the sounds remain soft and the writing smooth."--Keir Keightley, University of Western Ontario
The definitive history of LGBTQ music, from Stonewall to RuPaul, and its impact on culture and American life
From the underground dancefloors of the Seventies to the global charts of the Nineties, LGBTQ artists and audiences shaped music’s sound, style, and spirit. In Mighty Real, veteran journalist Barry Walters chronicles its LGBTQ history from the Velvet Underground to the 21st century’s dawn as he honors the artists who redefined gender, defied tradition, and dared to challenge sexual norms with the help of a record business that wasn’t as straight as commonly believed.
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