DVD new releases Jan. 25, 2011
Glee: Season 2, Volume 1
Zorro: The Complete Series
She-Ra: The Complete Series
Zorro: The Complete Season Three
Zorro: The Complete Season Four
Zorro: The Complete Season One
Zorro: The Complete Season Two
The Flash: The Complete Series
New vinyl, download, CD releases Jan. 24, 2011
Kiss Each Other Clean Iron & Wine
The Party Ain't Over Wanda Jackson
The Love EP Corinne Bailey Rae
Content Gang of Four
Bill Frisell & Vinicius Cantuaria
Bing Sings the Sinatra Songbook
Radio Sessions Bing Crosby & Rosemary Clooney
Pure Desmond Paul Desmond
Hear Me Howling! Blues, Ballads, & Beyond: The Arhoolie 50th Anniversary Boxset
Southern Memoir Bing Crosby
Concierto (CTI Records 40th Anniversary Edition) Jim Hall
Sunflower (CTI Records 40th Anniversary Edition) Milt Jackson
Easter Everywhere 13th Floor Elevators
Wonder Woman series IS a go -- on NBC
After most everyone turned it down, a pitch for a Wonder Woman TV series pilot has been picked up by NBC.
The project is described as a reinvention of the iconic D.C. comic in which Wonder Woman -- aka Diana Prince -- is a vigilante crime fighter in L.A. but also a successful corporate executive and a modern woman trying to balance all of the elements of her extraordinary life.
Archie Comics drops code too
As reported yesterday, DC Comics has followed Marvel's lead of several years ago in dropping the Comics Code Authority Seal of Approval from its covers. Now kid-friendly Archie Comics is following suit.
The code was created nearly 60 years ago as a way for the comics industry to self-police itself in light of pressure from those who felt funny books were a menace that led to juvenile delinquency. It's no doubt that the code has outlived its relevance. But, as I've mentioned before, I'm hopeful that comic book publishers will make an effort to clearly identify the intended audience for their titles. In can spare a lot of parental confusion and annoyance, and will help ensure titles that aren't kid-friendly don't fall into tiny hands.
Marvel has been pretty unsuccessful in developing and following its own clear ratings system. I hope DC does better. In the case of Archie, they've done a pretty good job over the years in staying true to the original intent of their characters. Ratings probably aren't necessary for them. As Archie President Mike Pellerito puts it:
The code was created nearly 60 years ago as a way for the comics industry to self-police itself in light of pressure from those who felt funny books were a menace that led to juvenile delinquency. It's no doubt that the code has outlived its relevance. But, as I've mentioned before, I'm hopeful that comic book publishers will make an effort to clearly identify the intended audience for their titles. In can spare a lot of parental confusion and annoyance, and will help ensure titles that aren't kid-friendly don't fall into tiny hands.
Marvel has been pretty unsuccessful in developing and following its own clear ratings system. I hope DC does better. In the case of Archie, they've done a pretty good job over the years in staying true to the original intent of their characters. Ratings probably aren't necessary for them. As Archie President Mike Pellerito puts it:
"The code never affected us editorially the way I think it did other companies," he said. "You know, we aren't about to start stuffing bodies into refrigerators or anything. We have to answer to Archie fans."
Currently, everything Archie Comics publishes is "all ages." And Pellerito said that, if Archie comic ever skews to an older audience, the publisher will let the readers know.
Fantagraphics announces Prince Valiant Vol. 3 1941-42
I need to catch up on these annual collections of Hal Foster's legendary comic strip. They look glorious. Here are details on the latest volume, out next month:
With this volume, Foster reaches (by common critical consensus) the peak of his drawing and storytelling prowess – a peak at which he will remain for most of the run of this glorious strip.
Almost the entirety of 1941’s strips feature a single ten-month epic entitled “Fights for the Singing Sword,” a globetrotting adventure fueled by Valiant’s obsessive search for his bride-to-be Aleta throughout Northern Africa, with stops in Jerusalem, the Arabic deserts, and, inevitably, a harem which Val must infiltrate. Then finally, in “The Misty Isles” Valiant meets Aleta face to face but upon learning that she has had his crew killed (deservedly so, actually, but still), he flees in anger, vowing never to see her again.
“Homeward Bound,” Valiant continues his travels, with stops in Athens (where he meets the boisterous Viking Boltar, who will become his friend for life), North Africa, and Gaul (where Valiant liberates Gawain), before finally returning to Camelot. But his joyous return is short-lived as an alliance of Picts and Vikings threatens Britain’s security, and thus Valiant must journey forth with, as his ultimate destination, “The Roman Wall.”
The final pages of this volume boast a special feature: a gallery of images that were censored for being too sexy or violent (or subject to other editorial interference) prior to publication, plus another gruesome example of Foster's art being altered for publication, all with commentary by series editor Kim Thompson.
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