Our monthly roundup of interesting titles. Click the links to order from Amazon.
The year 1972 brought together two legends of rock 'n' roll at the peaks of their careers: Jim Marshall and the Rolling Stones. Selected by LIFE magazine to photograph the Stones' EXILE ON MAIN ST. tour, Marshall had a week of unlimited access. The results are his now-iconic images of the band, onstage in their full glory and backstage in moments of unguarded camaraderie. Marshall's ability to capture the essential spirit of an artist and the transformative power of music is matched only by the Stones' larger-than-life energy. Fifty years after these photographs were taken, they retain the power to thrill and inspire.
This definitive edition presents the images as they were meant to be seen: at a larger size and in the rich, high-contrast tones Marshall favored. The original content is enhanced with never-before-seen proof sheets and two new essays by photographer and film director Anton Corbijn and Nikki Sixx of Mötley Crüe. This is the ultimate, immersive experience of one of the greatest moments in music history.
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For over five decades, the heart of Star Trek’s pro-science, anti-racist, and inclusive messaging has been its willingness to take big risks. Across thirteen feature films, and twelve TV series—including five shows currently airing or in production—the brilliance of Star Trek is in its endless ability to be rethought, rebooted, and remade.
Author and Star Trek expert Ryan Britt charts an approachable and entertaining course through Star Trek history; from its groundbreaking origins amid the tumultuous 1960s, to its influence on diversifying the space program, to its contemporary history-making turns with LGBTQ+ representation, this book illuminates not just the behind-the-scenes stories that shaped the franchise but the larger meaning of the Final Frontier.
Featuring over 100 exclusive interviews with actors and writers across all the generations, including Walter Koenig, LeVar Burton, Dorothy Fontana, Brent Spiner, Ronald D. Moore, Jeri Ryan, and many more, Britt gets the inside story on all things Trek, like Spock’s evolution from red devil to the personification of logical empathy, the near failure to launch of The Next Generation in 1987, and how Trekkie outrage has threatened to destroy the franchise more than once. The book also dives deep with creators like Michael Chabon (co-creator of Star Trek: Picard) and Nicholas Meyer (director, The Wrath of Khan). These interviews extend to the bleeding edge of contemporary Star Trek, from Discovery to Picard to Lower Decks, and even the upcoming highly anticipated 2022 series, Strange New Worlds.
For fans who know every detail of each Enterprise bridge, to a reader who has never seen a single minute of any Star Trek, this book aims to entertain, inform, and energize. Through humor, insight, archival research, and unique access, this journey through the Star Trek universe isn’t just about its past but a definitive look at its future.
Author and Star Trek expert Ryan Britt charts an approachable and entertaining course through Star Trek history; from its groundbreaking origins amid the tumultuous 1960s, to its influence on diversifying the space program, to its contemporary history-making turns with LGBTQ+ representation, this book illuminates not just the behind-the-scenes stories that shaped the franchise but the larger meaning of the Final Frontier.
Featuring over 100 exclusive interviews with actors and writers across all the generations, including Walter Koenig, LeVar Burton, Dorothy Fontana, Brent Spiner, Ronald D. Moore, Jeri Ryan, and many more, Britt gets the inside story on all things Trek, like Spock’s evolution from red devil to the personification of logical empathy, the near failure to launch of The Next Generation in 1987, and how Trekkie outrage has threatened to destroy the franchise more than once. The book also dives deep with creators like Michael Chabon (co-creator of Star Trek: Picard) and Nicholas Meyer (director, The Wrath of Khan). These interviews extend to the bleeding edge of contemporary Star Trek, from Discovery to Picard to Lower Decks, and even the upcoming highly anticipated 2022 series, Strange New Worlds.
For fans who know every detail of each Enterprise bridge, to a reader who has never seen a single minute of any Star Trek, this book aims to entertain, inform, and energize. Through humor, insight, archival research, and unique access, this journey through the Star Trek universe isn’t just about its past but a definitive look at its future.
This international literary sensation turns the spotlight on one of the most influential and controversial figures in American culture. Filled with shocking observations about the lives, loves, and careers of the rich, famous, and fabulous, Warhol's journal is endlessly fun and fascinating.
Spanning the mid-1970s until just a few days before his death in 1987, THE ANDY WARHOL DIARIES is a compendium of the more than twenty thousand pages of the artist's diary that he dictated daily to Pat Hackett. In it, Warhol gives us the ultimate backstage pass to practically everything that went on in the world-both high and low. He hangs out with "everybody": Jackie O ("thinks she's so grand she doesn't even owe it to the public to have another great marriage to somebody big"), Yoko Ono ("We dialed F-U-C-K-Y-O-U and L-O-V-E-Y-O-U to see what happened, we had so much fun"), and "Princess Marina of, I guess, Greece," along with art-world rock stars Jean-Michel Basquiat, Francis Bacon, Salvador Dali, and Keith Haring.
Warhol had something to say about everyone who crossed his path, whether it was Lou Reed or Liberace, Patti Smith or Diana Ross, Frank Sinatra or Michael Jackson. A true cultural artifact, THE ANDY WARHOL DIARIES amounts to a portrait of an artist-and an era-unlike any other.
Spanning the mid-1970s until just a few days before his death in 1987, THE ANDY WARHOL DIARIES is a compendium of the more than twenty thousand pages of the artist's diary that he dictated daily to Pat Hackett. In it, Warhol gives us the ultimate backstage pass to practically everything that went on in the world-both high and low. He hangs out with "everybody": Jackie O ("thinks she's so grand she doesn't even owe it to the public to have another great marriage to somebody big"), Yoko Ono ("We dialed F-U-C-K-Y-O-U and L-O-V-E-Y-O-U to see what happened, we had so much fun"), and "Princess Marina of, I guess, Greece," along with art-world rock stars Jean-Michel Basquiat, Francis Bacon, Salvador Dali, and Keith Haring.
Warhol had something to say about everyone who crossed his path, whether it was Lou Reed or Liberace, Patti Smith or Diana Ross, Frank Sinatra or Michael Jackson. A true cultural artifact, THE ANDY WARHOL DIARIES amounts to a portrait of an artist-and an era-unlike any other.
Right away it was clear this team was different. If the Fantastic Four were family, then the Avengers were the co-workers you didn’t choose. Not everyone got along―the Hulk fought with everyone―but working together they could defeat the baddest of Marvel’s bad guys, like Loki, Kang the Conqueror, the Masters of Evil, and Immortus. The lineup was ever changing: The Hulk departed, Captain America joined, and Ant-Man grew up to become Giant-Man. Then, remarkably, villains Hawkeye, Quicksilver, and the Scarlet Witch became heroes―and Avengers―and the group’s founding members shockingly departed, leaving Captain America to lead the newly-minted heroes.
Re-live the classic early adventures of Avengers Nos. 1–20 in an XXL-sized edition that’s bigger than the Hulk’s fist, weightier than Thor’s hammer, and with more extras than Iron Man’s armor. TASCHEN has attempted to create an ideal representation of these books as they were produced at the time of publication. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has been photographed as printed more than half a century ago, then digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing―as if hot off of a world-class 1960s printing press.
Accompanying the stories are an original foreword by Marvel Studios President Kevin Feige and an in-depth history by the Eisner Award-winning writer Kurt Busiek that’s illustrated with original art, little-seen photographs, and rare documents. This mighty collection about Earth’s Mightiest Heroes is worthy of Tony Stark’s library―or yours.
Hero Collector’s popular Star Trek Shipyards series continues with detailed looks at ships from the Alpha and Beta Quadrants as seen in Star Trek: The Next Generation, Star Trek: The Original Series, and Star Trek: Deep Space Nine. First up? Ships of the Breen, Cardassians, and those pesky Ferengi. Each featured ship is profiled with technical details, in-universe operational history, and illustrated with plan-view CG renders, wherever possible utilizing the original VFX models created for the Star Trek shows and features from across the franchise’s remarkable 55 years.
This volume includes more than 40 ships, including the Anaxar cargo vessel, the Breen Warship, the Cardassian Bok'Nor, Cardassian military freighter, the Ferengi shuttle, the Gorn warship, the Husnok warship and the Jem’Hadar battlecruiser.
In his new book, English Garden Eccentrics, renowned landscape architect and historian Todd Longstaffe-Gowan reveals a series of obscure and eccentric English garden-makers who, between the early seventeenth and the early twentieth centuries, created intensely personal and idiosyncratic gardens. They include such fascinating characters as the superstitious antiquary William Stukeley and the animal- and bird-loving Lady Read, as well as the celebrated master of Vauxhall Gardens, Jonathan Tyers, who created at his home at Denbies one of the gloomiest and most perverse anti-pleasure gardens in Georgian England. Others built miniature mountains, shaped topiaries, displayed exotic animals, excavated caves and assembled architectural fragments and fossils to realise their gardens in a way that was often thought to be excessive.
With quirky and compelling illustrations and chapters including ‘Lady Broughton’s “Miniature copy of the Swiss Glaciers”’, ‘Topiary on a Gargantuan Scale: The Clipped “Yew-trees” at Four Ancient London Churchyards’ and ‘The Burrowing Duke at Harcourt House’, English Garden Eccentricsbrings together garden and landscape history with cultural history and biography. The book engagingly reveals what it is about the gardener and his or her creation that can be seen as eccentric and focusses on an area of garden history that has scarcely been previously explored: gardens seen as expressions of the singular character of their makers, and therefore functioning, in effect, as a form of autobiography.
This lively and accessible book calls on gardeners today to learn from example and dare to be eccentric.
The LEGO minifigure is one of the most recognizable and collectible toys on the planet. Over the span of 40 years it has evolved from a simple yellow figurine to a global pop culture icon. This landmark volume celebrates the colorful history, evolving design, and lasting impact of the one and only LEGO minifigure. Driven by compelling interviews and essays, lush photography, infographics, and never-before-seen visuals from inside the LEGO archives and beyond, this book is a wide-reaching visual exploration of why the minifigure matters—as a beloved toy and as a singular cultural icon.
Few places have been as nostalgized, or as maligned, as malls. Since their birth in the 1950s, they have loomed large as temples of commerce, the agora of the suburbs. In their prime, they proved a powerful draw for creative thinkers such as Joan Didion, Ray Bradbury, and George Romero, who understood the mall's appeal as both critics and consumers. Yet today, amid the aftershocks of financial crises and a global pandemic, as well as the rise of online retail, the dystopian husk of an abandoned shopping center has become one of our era's defining images. Conventional wisdom holds that the mall is dead. But what was the mall, really? And have rumors of its demise been greatly exaggerated?
In her acclaimed The Design of Childhood, Alexandra Lange uncovered the histories of toys, classrooms, and playgrounds. She now turns her sharp eye to another subject we only think we know. She chronicles postwar architects' and merchants' invention of the mall, revealing how the design of these marketplaces played an integral role in their cultural ascent. In Lange's perceptive account, the mall becomes newly strange and rich with contradiction: Malls are environments of both freedom and exclusion--of consumerism, but also of community. Meet Me by the Fountain is a highly entertaining and evocative promenade through the mall's story of rise, fall, and ongoing reinvention, for readers of any generation.
Apple Valley, California, in the late eighties, a thirsty, miserable desert.
Teenage James Spooner hates that he and his mom are back in town after years away. The one silver lining—new school, new you, right? But the few Black kids at school seem to be gangbanging, and the other kids fall on a spectrum of micro-aggressors to future Neo-Nazis. Mixed race, acutely aware of his Blackness, James doesn't know where he fits until he meets Ty, a young Black punk who introduces him to the school outsiders—skaters, unhappy young rebels, caught up in the punk groundswell sweeping the country.
A haircut, a few Sex Pistols, Misfits and Black Flag records later: suddenly, James has friends, romantic prospects, and knows the difference between a bass and a guitar. But this desolate landscape hides brutal, building undercurrents: a classmate overdoses, a friend must prove himself to his white supremacist brother and the local Aryan brotherhood through a show of violence. Everything and everyone are set to collide at one of the year's biggest shows in town...
Weaving in the Black roots of punk rock and a vivid interlude in the thriving eighties DIY scene in New York's East Village, this is the memoir of a budding punk, artist, and activist.
Back when restaurant menus were still printed on paper, and wearing a mask—or not—was a decision made mostly on Halloween, David Sedaris spent his time doing normal things. As Happy-Go-Lucky opens, he is learning to shoot guns with his sister, visiting muddy flea markets in Serbia, buying gummy worms to feed to ants, and telling his nonagenarian father wheelchair jokes.
But then the pandemic hits, and like so many others, he’s stuck in lockdown, unable to tour and read for audiences, the part of his work he loves most. To cope, he walks for miles through a nearly deserted city, smelling only his own breath. He vacuums his apartment twice a day, fails to hoard anything, and contemplates how sex workers and acupuncturists might be getting by during quarantine.
As the world gradually settles into a new reality, Sedaris too finds himself changed. His offer to fix a stranger’s teeth rebuffed, he straightens his own, and ventures into the world with new confidence. Newly orphaned, he considers what it means, in his seventh decade, no longer to be someone’s son. And back on the road, he discovers a battle-scarred America: people weary, storefronts empty or festooned with Help Wanted signs, walls painted with graffiti reflecting the contradictory messages of our time: Eat the Rich. Trump 2024. Black Lives Matter.
In Happy-Go-Lucky, David Sedaris once again captures what is most unexpected, hilarious, and poignant about these recent upheavals, personal and public, and expresses in precise language both the misanthropy and desire for connection that drive us all. If we must live in interesting times, there is no one better to chronicle them than the incomparable David Sedaris.
Chris Blackwell, like the paradigm-shifting artists he came to support over his sixty-plus years in the music business, never took the conventional route. He grew up between Jamaica and London, crossing paths with Ian Fleming, Noel Coward, and Errol Flynn. After being expelled from an elite British school for rebellious behavior in 1954 at age seventeen, he moved back to Jamaica, and within five years, founded Island Records—the company that would make an indelible mark on music, shifting with the times, but always keeping its core identity intact.
The Islander is the story of Blackwell and his cohorts at Island Records, who time and again, identified, nurtured, and broke out musicians who had been overlooked by bigger record labels, including Steve Winwood, Nick Drake, John Martyn, and Cat Stevens. After an impromptu meeting with Bob Marley and his bandmates in 1972, Blackwell decided to fund and produce their groundbreaking album Catch a Fire. He’d go on to work with Marley over the rest of his career, remain his close friend, and continually champion Jamaican culture and reggae music.
In the ensuing years, Blackwell worked with U2, Grace Jones, the B-52s, Tom Waits, Robert Palmer, Tom Tom Club, and many other groundbreaking artists. He also opened the first Jamaican boutique hotel, on the property of Ian Fleming’s former home, Goldeneye, where all the James Bond books were written.
Blackwell is a legendary as well as deeply humble raconteur, and reading The Islander is like spending a day with the most interesting man in the world.
Legendary sitcom director James Burrows has spent five decades making America laugh. Here readers will find never-revealed stories behind the casting of the dozens of great sitcoms he directed, as well as details as to how these memorable shows were created, how they got on the air, and how the cast and crew continued to develop and grow. Burrows also examines his own challenges, career victories, and defeats, and provides advice for aspiring directors, writers, and actors. All this from the man who helped launch the careers of Ted Danson, Kelsey Grammer, Woody Harrelson, Jennifer Aniston, Debra Messing, and Melissa McCarthy, to name a few.
Burrows talks fondly about the inspiration he found during his childhood and young adult years, including his father, legendary playwright and Broadway director Abe Burrows. From there he goes on to explain his rigorous work ethic, forged in his early years in theater, where he did everything from stage managing to building sets to, finally, directing. Transitioning to television, Burrows locked into a coveted job with The Mary Tyler Moore Show, where he first observed and then started to apply his craft. Directing most of the episodes of Taxi came next, where he worked closely with writers/producers Glen and Les Charles. The three formed a remarkable creative partnership that helped Burrows achieve his much sought-after goal of ownership and agency over a project, which came with the creating and directing of the seminal and beloved hit Cheers. Burrows has directed more than seventy-five pilots that have gone to series and over a thousand episodes, more than any other director in history.
In 1926, 23-year-old cub newspaper reporter Leslie McFarlane responded to an ad: “Experienced Fiction Writer Wanted to Work from Publisher’s Outlines.” The ad was signed by Edward Stratemeyer, whose syndicate effectively invented mass-market children’s book publishing in America. McFarlane, who had a few published adventure stories to his name, was hired and his first job was to write Dave Fearless Under the Ocean as Roy Rockwood—for a flat fee of $100, no royalties. His pay increased to $125 when Stratemeyer proposed a new series of detective stories for kids involving two high school aged brothers who would solve mysteries. The title of the series was The Hardy Boys. McFarlane’s pseudonym would be Franklin W. Dixon.
McFarlane went on to write twenty-one Hardy Boys adventures. From The Tower Treasure in 1927 to The Phantom Freighter in 1947, into full-fledged classics filled with perilous scrapes, loyal chums, and breakneck races to solve the mystery. McFarlane kept his ghostwriting gig secret until late in life when his son urged him to share the story of being the real Franklin W. Dixon. By the time McFarlane died in 1977, unofficial sales estimates of The Hardy Boys series already topped 50 million copies.
Ghost of the Hardy Boys is a fascinating, funny, and always charming look back at a vanished era of journalism, writing, and book publishing. It is for anyone who loves a great story and who’s curious about solving the mystery of the fascinating man behind one of the most widely read and enduring children’s book series in history.
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